描述
开 本: 16开纸 张: 胶版纸包 装: 平装-胶订是否套装: 否国际标准书号ISBN: 9787536076631
简单速成的视唱教程
系统有效的训练方法
《单声部视唱教程》，分上、下两册。适合用于各类音乐与艺术院校的视唱练耳基础教学，也可作为投考各类音乐与艺术院校的考试学习用书。本书按照固定唱名法的要求编排，但加入了首调视唱的读谱练习，其有别于同类书的编排特点是：“变化音、转调”不再是独立章节，而是将其分解并按照难度由浅入深、逐步地加入到以调号递增为主线的各章节之中。
（上）
部分 节奏
常用节奏型及其“读名”··························································1
基本节奏型的变形·······························································2
单元 八分、十六分音符的节奏组合············································3
第二单元 附点节奏·····························································4
第三单元 切分节奏·····························································6
第四单元 八三拍 八六拍 三连音节奏···········································8
第五单元 综合练习·····························································11
第六单元 复附点等节奏························································13
第七单元 较复杂的切分节奏····················································15
第八单元 部分节奏、节拍的对比················································18
第二部分 视 唱
章 无升降号为主的调
（常用节拍
基本节奏型）
单元 自然调式 同宫系统各调式
一、 拍（ ）
自然大调式（一）···························································19
自然大调式（二）···························································27
自然小调式 ·······························································40
二、 拍（ 弱起）····························43
三、 拍（）
宫调式·····································································57
羽调式·····································································60
徵调式·····································································62
商调式·····································································63
角调式·····································································65
四、 拍（）
·······························`·····································67
五、 拍（ ）·························································71
第二单元 和声、旋律小调式·······················································73
第三单元 C调综合练习···························································83
第四单元 变化音（辅助、经过式）··················································98
第五单元 转调（调式转换）························································105
第二章 一个升号为主的调
（三连音与含八分音符节奏型的组合， 等节奏； 拍）
单元 自然大调式···························································110
第二单元 自然、和声、旋律小调式················································121
第三单元 同宫系统各调式························································131
第四单元 G调综合练习··························································137
第五单元 变化音（辅助、经过式）·················································141
第六单元 转调（近关系调）·······················································144
第七单元 多利亚、弗利几亚小调式（一个升号的调与六个降号的调）···················151
第三章 一个降号为主的调
（三连音与含十六分音符节奏型的组合，连续切分等节奏； 拍）
单元 自然大调式····························································154
第二单元 自然、和声、旋律小调式················································166
第三单元 同宫系统各调式························································176
第四单元 F调综合练习··························································182
第五单元 变化音（辅助、经过式）·················································187
第六单元 转调（近关系调）·······················································191
第七单元 利底亚、混合利底亚大调式（一个降号的调与六个升号的调）·················199
附录
指挥图式·······································································201
部分常用音乐术语·······························································202
（下）
第四章 两个升号为主的调
（总时值为半拍的附点节奏型，连续切分等节奏； 拍）
单元 自然大调式·····························································1
第二单元 自然、和声、旋律小调式·················································9
第三单元 同宫系统各调式························································16
第四单元 D调综合练习··························································22
第五单元 变化音（经过、换音、倚音式）···········································29
第六单元 转调（近关系调 D同主音大、小调）······································33
第七单元 和声、旋律大调式（两个升号的调与五个降号的调）··························40
第五章 两个降号为主的调
（总时值为半拍的三连音节奏型，带延音线的切分、连续切分等节奏； 拍）
单元 自然大调式·····························································42
第二单元 自然、和声、旋律小调式·················································50
第三单元 同宫系统各调式·························································59
第四单元 bB调综合练习··························································66
第五单元 变化音（经过、换音、倚音式）············································73
第六单元 转调（近关系调 G同主音大、小调）······································78
第七单元 和声、旋律大调式（两个降号的调与五个升号的调）··························87
第六章
三个升号为主的调
（总时值为两拍的三连音节奏型，较复杂的切分等节奏； 拍）
单元 自然大调式····························································90
第二单元 自然、和声、旋律小调式················································97
第三单元 同宫系统各调式·······················································104
第四单元 A调综合练习·························································111
第五单元 变化音（换音、倚音、变和弦式）········································118
第六单元 转调（近关系调 A同主音大、小调）····································123
第七单元 雅乐调式 湖南特殊调式（三个升号的调与四个降号的调）···················132
第七章
三个降号为主的调
（含三十二分音符的节奏型，三连音节奏的变形，二、四、五、六、七连音节奏型，较复杂的切分等节奏； 拍）
单元 自然大调式···························································135
第二单元 自然、和声、旋律小调式················································144
第三单元 同宫系统各调式························································152
第四单元 bE调综合练习·························································158
第五单元 变化音（换音、倚音、变和弦式）·········································164
第六单元 转调（近关系调 C同主音大、小调）·····································170
第七单元 燕乐调式（三个降号的调与四个升号的调）·································178
附录
指挥图式·······································································180
部分常用音乐术语·······························································181
主要参考书目···································································183
本教程按照固定唱名法的要求编排，但加入了首调视唱的读谱练习。适合用于各类音乐与艺术院校的视唱练耳基础教学，也可以作为投考各类音乐与艺术院校的考试学习用书。
本教程有别于同类教材的编排特点是，“变化音、转调”不再是独立章节，而是将其分解并按照难度由浅入深、逐步地加入到以调号递增为主线的各章节之中。使每章的调性在这种调式音与调式变音的对比、主调与副调的对比中更加巩固。另外，少量不常用的较复杂节拍与节奏的曲例亦如此编排。即：有关视唱各方面的内容不再各自独立，而是采用独特的并排渐进的编排方式。从本教程的目录便可看到，这“并排”是有所选的、“渐进”是有所控的，整个编排既突出了建立、巩固调性的中心，又不乏“变化音、转调”等内容，便于教学。
本教程对部分曲例的练习难点作了扼要的“提示”。
用本教程教学，使得视唱练耳的课程不论设定在哪层程度上修毕，都能涵盖多方面的内容而令课程显得较为全面，适合不同层次的教学需求。
本教程第二部分的章，充分考虑到视唱入门的需要，备了大量的视唱曲，并在编排上作了特别细致的难度划分。
本教程的部分为独立的节奏练习章节。
单元 自然调式
同宫系统各调式
一、拍（ ）
自然大调式（一）
基本练习（提示： 1.大、小调的旋律法以级进和分解和弦式的跳进为主，基本练习正是围绕着这两个方面进行的。 2.建立标准音的音高概念，只用准确的音高视唱。但是，当遇到超出自己音域的音时，可临时移动八度视唱）
C自然大调的定调和弦（提示：正三和弦分别建立在调式的骨干音级上，并包含了调式中所有的音级，它们结合在
一起，可明确调性）
Ⅰ Ⅳ6 4 Ⅴ4 3 Ⅰ
音阶（提示：在音准的入门阶段，重点首先是建立起稳定音级的音高概念，然后再用稳定音级去把握不稳定音级的
音准。难点是由Ⅲ-Ⅳ、Ⅶ-Ⅰ级构成的小二度音程的音准）
Ⅰ
Ⅱ Ⅲ Ⅳ Ⅴ Ⅵ Ⅶ Ⅰ
主音 上主音
中音 下属音 属音 下中音 导音 主音
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