描述
开 本: 16开纸 张: 胶版纸包 装: 平装是否套装: 否国际标准书号ISBN: 9787544637985丛书名: 文体学研究论丛
内容简介
本书就实证文体学、认知文体学、功能文体学、小说类文学文体分析、非小说类文学文体分析、语篇分析、语用文体学、语言变体等议题展开了热烈的研讨。
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The primacy of feelings
As you will be aware，literary studies has recently witnessed a turn to anembodied concept of cognition，a development Which has brought with itqCveral significant implications for understanding literature“nd theOrOCesscs of reading．My own interests have focused in part’‘”la’on theC0ntrib．ution of feelings and emotions；and where pos‘ible l haveattcmpted to investigate the issues through thc use of empirical methods，Thesc two aspects，feelings and empirical methodology’will be centralto this paper．To make this clearer，here is an outline of what I am aboutto SaY．After some preliminary comments on the issues that will b6important in thinking about feelings and emotions in literary response，IfoCUS on feelings at three different levels~from small．scale phenomena0ccurring in the moment．by—moment responses of readers，throughfeelings that direct response at an intermediate level，up to the largescale where feelings help determine response to a text as a whole．foiuustTate these levels in sonle detail，I draw on empirical studies offoregrounding and phonetic iconicity for thc small scale，a study ofepisode．1ength events for the intermediate level，and a study of theunreliable narrator at the largest scale（comprising a whole short story）。
One reason for proceeding in this way iS to suggest the scope anddepth of the many ways in which feelings and emotions mteract withliterary response．In part，this is an argument for the primacy of feelingin response．as you will shortly see．But it is also an argument for th‘range and variety of literary phenomena that draw on the capacities offeeling．capacities that have been rarely considered until now．Forexample．in my book Li terary Reading，I discuss anomalous suspense（first introduced by Richard Gerrig），the pleasure of negative feelings’feelings as action，and the temporal implications of feeling．And this isiust a partial listing of the processes of literary reading that owe theirdistinctiveness to some aspect of feeling．
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As you will be aware，literary studies has recently witnessed a turn to anembodied concept of cognition，a development Which has brought with itqCveral significant implications for understanding literature“nd theOrOCesscs of reading．My own interests have focused in part’‘”la’on theC0ntrib．ution of feelings and emotions；and where pos‘ible l haveattcmpted to investigate the issues through thc use of empirical methods，Thesc two aspects，feelings and empirical methodology’will be centralto this paper．To make this clearer，here is an outline of what I am aboutto SaY．After some preliminary comments on the issues that will b6important in thinking about feelings and emotions in literary response，IfoCUS on feelings at three different levels~from small．scale phenomena0ccurring in the moment．by—moment responses of readers，throughfeelings that direct response at an intermediate level，up to the largescale where feelings help determine response to a text as a whole．foiuustTate these levels in sonle detail，I draw on empirical studies offoregrounding and phonetic iconicity for thc small scale，a study ofepisode．1ength events for the intermediate level，and a study of theunreliable narrator at the largest scale（comprising a whole short story）。
One reason for proceeding in this way iS to suggest the scope anddepth of the many ways in which feelings and emotions mteract withliterary response．In part，this is an argument for the primacy of feelingin response．as you will shortly see．But it is also an argument for th‘range and variety of literary phenomena that draw on the capacities offeeling．capacities that have been rarely considered until now．Forexample．in my book Li terary Reading，I discuss anomalous suspense（first introduced by Richard Gerrig），the pleasure of negative feelings’feelings as action，and the temporal implications of feeling．And this isiust a partial listing of the processes of literary reading that owe theirdistinctiveness to some aspect of feeling．
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