描述
开 本: 16开纸 张: 胶版纸包 装: 平装-胶订是否套装: 否国际标准书号ISBN: 9787510867002
从1950年代至2000年，台湾的女性导演经历了从政治主导的社会中默认自己作为男性的”他者”，到开始真正反思”为什么女性是他者” 的过程，也见证了台湾社会政治经济的演进发展。在台湾女性导演们横跨近半世纪的电影作品中，她们也用独特视点的影像文本书写着她们对时代的感受。本书试图将女性电影史放在主流影史的发展脉络中观照，借助文化研究的方法，用精神分析、女性主义、后女性主义理论分析她们的作品在不同社会语境中的意义。
导 论·····························································································
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章 20 世纪50 年代闽南语电影时代的位女性导演
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节 从家庭走向社会的台湾女性 ················································
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第二节 陈文敏在筚路蓝缕的闽南语片时代 ·······································
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第三节 为女性书写悲情故事与民间传奇 ··········································
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第四节 初涉性别议题的女性书写 ··················································· 59
第二章 20 世纪60 年代至80 年代的台湾女性导演 ································· 64
节 主流电影中潮流中的汪滢导演 ·············································
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第二节 爱情文艺片早期的女导演崔小萍 ··········································
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第三节 琼瑶电影后期的御用导演刘立立 ·········································106
第四节 电影类型极致多元的杨家云导演 ·········································128
第五节 喜剧式的家庭伦理片导演苏月禾 ·········································147
第六节 小结：1960 至70 年代女导演的创作环境概述 ························156
第三章 20 世纪80 年代至90 年代的台湾女性导演 ································ 162
节 跨地域文化创作的张艾嘉导演 ············································164
第二节 以天下为己任为艺术使命的王小棣导演 ································191
第三节 从感性书写到理性思辨的黄玉珊导演 ···································215
第四节 跨区域制片的导演——刘怡明 ············································234
第五节 小结：台湾新电影思潮影响下的女导演创作 ··························245
总 论··························································································
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参考文献资料·················································································
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附录一：台湾历史学家及女导演访谈录 ··············································· 284
附录二：参考影片目录····································································· 319
后 记··························································································
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