描述
开 本: 16开纸 张: 铜版纸包 装: 平装-胶订是否套装: 否国际标准书号ISBN: 9787122322548
邀请作品
Invitational Works
002 Ayako Tani （日）
Vessel of memory
003 Daul Stankard（美）
《花园系列》Garden series
004 Robert Mickelsen（美）
Hand
005 hane Fero（美）
《鸟》Birds
006 戴秋梅 Dai Qiumei
《永结同心》Forever have same thought
007 冯平生 Feng
Pingsheng
《柿柿如意》The lucky persimmon
008 高建明 Gao Jianming
《绿葫芦》Green gourd
009 顾彬 Gu Bin
《龙》Dragon
010 顾彬 Gu Bin
《苹果树》Apple tree
011 关东海、吴磊 Guan Donghai, Wu Lei
《关系系列——龙凤》The relationship series—Dragon and phoenix
012 郭东侨 Guo Dongqiao
《母爱》Mother’s love
013 郭东侨 Guo Dongqiao
《花开富贵》 Fortune comes with blooming flowers
014 黄安福 Huang Anfu
《嘉德莉兰》Catly orchid
015 李国阳 Li Guoyang
《报岁兰》Cymbidium sinense
016 彭怡 Peng Yi
Role 1
017 彭怡 Peng Yi
《解构系列 3》、《解构系列 7》Deconstruction series 3，Deconstruction
series 7
018 彭怡 Peng Yi
《算盘系列·白》Abacus series, white
019 彭怡 Peng Yi
《算盘系列·黑》Abacus series, black
020 孙奉柱 Sun Fengzhu
《瑶池寿桃》The Longevity peach of the jade pond
021 孙奉柱 Sun Fengzhu
《荷塘清趣》Leisure by the lotus pond
022 孙奉柱 Sun Fengzhu
《福禄》Good fortune
023 吴磊 Wu Lei
《长茅》Spear
024 张雅婷 Zhang Yating
《风中凤》Phoenix in the wind
025 周毅（阿左） Zhou Yi（A Zuo）
《苹果》An apple
金奖作品
Gold Award
028 孙绍轶 Sun Shaoyi
《淙淙》Flow
银奖作品
Silver Award
032 赵婷婷 Zhao Tingting
《共商国事》To discuss state affairs
034 任波 Ren Bo
《虫》Insects
铜奖作品
Bronze Award
038 韩连军 Han Lianjun
《谷穗上的蝈蝈》Grasshopper in the millet
039张博文 Zhang Bowen
《巴别塔之二》Tower of babel·Two
040 李思晴 Li Siqing
《城市系列——梦城》City series—Dream city
优秀奖作品
Excellence Award
044 陈宇茵 Chen Yuyin
《生命》Life
045 高涵 Gaohan
《十二生肖》Chinese zodiac
046 韩连军 Han Lianjun
《梅花与瓶》Blossoming plum and bottle
047 姜家美 Jiang Jiamei
《樽》Zun
048 李思思 Li Sisi
《家》home
049 栗瑶 Li Yao
《保护》Protect
050 刘晓明 Liu Xiaoming
《无形的防护》Invisible protection
051 卢杉 Lu Shan
《平静》Clam
052 王迪 Wang Di
《尘封》Dust seal
053 王迪 Wang Di
Direct.Director.Direction
054 王鑫博 Wang Xinbo
《景观》Sight
055 王雅萱 Wang Yaxuan
Spring-spring
056 吴新安 Wu Xinan
《一帆风顺》Roses all the way
057 吴新安 Wu Xinan
《黛玉葬花》Daiyu burial flower
058 俞岚 Yu Lan
《窄门》Narrow door
059 张小七 Zhang Xiaoqi
《滋长》Growth
060 钟茵 Zhong Yin
《初露》Dew
061 周磊 Zhou Lei
《非想非非想》No thinking
062 周培育 Zhou Peiyu
A Breath of new life
063 朱福成 Zhu Fucheng
《荷》Lotus
入围作品
Finalist works
066 陈慧 Chen Hui
《网链》Net and chain
067 崔玥 Cui Yue
《玻璃首饰系列——故事》Glass jewellery series—Story
068 冯振 Feng Zhen
《无形的危害》Intangible damage
069 高珊 Gao Shan
《荷韵》Lotus
070 郭可欣 Guo Kexin
《灯工仙人掌》Flamework cacti
071 何方烁 He Fangshuo
《彩璃伴花》Colorful glass flowers
072 何方烁 He Fangshuo
《离火涅槃》Flamework nirvana
073 黄继娴 Huang Jixian
《梭》Shuttles
074 黄歆竹 Huang Xinzhu
《未定义》Undefined
075 黄歆竹 Huang Xinzhu
《未定义——走马》Undefined—walking
horse
076 霍婉婷 Huo Wanting
《世界与守望者 》World and the watchman
077 江颖 Jiang Ying
《无处不在》Anywhere
078 江颖 Jiang Ying
《鲸落》Whale fall
079 李成宇 Li Chengyu
《混沌》Chaos
080 李柔慧 Li Rouhui
《自愈》Self healing
081 李思晴 Li Siqing
《浮果》Floating fruit
082 李思晴 Li Siqing
《忆壳系列——磁带》The memory of the shell—tape
083 李思晴 Li Siqing
《忆壳系列——胶卷》The memory of the shell—roll film
084 李知挣 Li Zhizheng
《童忆》Childhood memory
085 梁金婷 Liang Jinting
《死亡之诗》Born to die
086 林倩倩 Lin Qianqian
《残缺之美》Incomplete beauty
087 林倩倩 Lin Qianqian
《共存》Coexist
088 林山 Linshan
《活》Live
089 卢杉 Lu Shan
《斑驳》Mottled
090 卢杉 Lu Shan
《情绪化系列》Emotional series
091 罗婷 Luo Ting
《画》Sketch
092 马亮 Ma Liang
《海底的珊瑚》The coral
093 马亮 Ma Liang
《鬼吸烟》Smoking ghost
094 孟祥权 Meng Xiangquan
《童—境》Childhood
095 莫阳诗雪 Moyang Shixue
《亚历山大》Alexander
096 莫阳诗雪 Moyang Shixue
《孤》Alone
097 乔丹 Qiao Dan
《蕉点》Banana lights
098 尚竣琪 Shang Junqi
《髦》Fashion
099 盛成多 Sheng Chengduo
《青花璃》Qinghua glaze
100 孙大浩 Sun Dahao
《归巢》Back to the nest
101 唐巧珍 Tang Qiaozhen
《曼珠沙华》Lycoris radiate
102 汪海燕 Wang Haiyan
《待命》Stand by
103 王朝虹 Wang Chaohong
《寻找家园》Looking for hometown
104 王迪 Wang Di
《忆》Memoir
105 王鹏 Wang Peng
《脑》Brain
106王韵骁 Wang Yunxiao
《野蛮生长》Barbaric growth
107 谢宇航 Xie Yuhang
《人与自然共舞》Dance with nature
108 徐嫦婕 Xu Changjie
《融合》Fusion
109 许文龙 Xu Wenlong
《河间》Hejian
110 杨晨玥 Yang Chenyue
《微生》Own
111 杨林 Yang Lin
《呵护》Care
112 杨子瑶 Yang Ziyao
《牵引者》Tractor driver
113 原帅 Yuan Shuai
《心情》Mood
114 张丰翼 Zhang Fengyi
《茶铁茶具》A tea set called tea and iron
115 张慧慧 Zhang Huihui
《绣球》Hydrangea
116 张文婷 Zhang Wenting
《荒芜》Barren
117 张晓慧 Zhang Xiaohui
《习惯》Habit
118 郑军 Zheng Jun
《鬶态》Pitcher
119 郑闻卿 Zheng Wenqing
《沁石生花》Flower from pebble
120 周二刚 Zhou Ergang
《动物世界》Animal world
121 周磊 Zhou Lei
《重建》Reconstruction
122 朱福成 Zhu Fucheng
《花与虫》Flowers and insects
123 朱福成 Zhu Fucheng
《水母》Jellyfish
评委
Jury
126 Shane Fero
127 Gerry King
128 Jack Wax
129 Robert Mickelsen
130 Liubov Groshkova
131 访谈录
Interview records
132 Ayako Tani访谈录
Interview with Ayako Tani
138 高瑞海先生、冯平生先生访谈录
Interview with Gao Ruihai and Feng Pingsheng
143 李国扬先生访谈录
Interview with Li Guoyang
148 Liubov Groshkova访谈录
Interview with Liubov Groshkova
150 Paul·V 访谈录
Interview with Paul·V
156 Robert Mickelsen访谈录
Interview with Robert Mickelsen
160 Shane Fero访谈录
Interview with Shane Fero
164 Jack Wax访谈录
Interview with Jack Wax
169 吴新安先生访谈录
Interview with Wu Xinan
173 邢兰香先生访谈录
Interview with Xin Lanxiang
181 展览形象设计
Identity Design for Exhibition
185 事件记录
Event records
197 致谢 Acknowledgements
前言
灯工工艺在中国有着久远的历史，战国的蜻蜓眼玻璃珠即是此古老精湛技艺的体现。进入现代，山东淄博市发展了一整套独有的灯工玻璃生产技术，主要以瓜果草虫为题材，深受人们的喜爱。河北河间市则是从以仪器玻璃生产为主逐渐转向日用玻璃生产领域。艺术院校开展灯工玻璃艺术教学则是近几年的事。
今天，作为日用玻璃生产，河间人意识到设计已经是制约企业发展的主要瓶颈。企业若想实现品牌的提升，必须创造出具有自身文化特色和当代实用性的产品设计。院校的教学，则是这一时代需求的体现，其人才培养有望满足社会的急需，并创造出更具艺术性的灯工作品，向社会展示精湛的技艺和各种创造性的可能。灯工工艺易于学习和掌握，对工具、设备和操作空间要求较低，因此，目前灯工课程在国内各院校玻璃教学中深受学生欢迎。基于这样一个发展的时代背景，企业和院校势必会走到一起。举办灯工玻璃艺术的展览，对于增进校企合作和校际学术交流都具有现实意义。因此，河间市政府为推动地方经济发展，大力支持此类学术活动，并希望将此活动列为当地定期举办的有国际影响力的交流盛会。也因此，展览的名称扩大为“国际灯工玻璃艺术节”。初次举办这样大型的活动自然困难重重，然而，在各方积极的努力和工作下，艺术节得以成功举办。全国共有418件作品报名，经过两轮评审，评选出入围作品83件，获奖作品26件。另有来自美国、澳大利亚、日本、加拿大，以及国内主要艺术家的25件作品受邀参展。活动期间，中外艺术家、工艺美术大师还为观众进行了精彩的工艺演示和学术演讲，使参观者对灯工艺术在当今世界发展的现状有了较全面的了解。两晚轻松的研讨会也为艺术家们能够更深入地交流提供了机会。
这次国际灯工玻璃艺术节的成功举办，是国内灯工玻璃艺术专项学术活动的重要开端，对推动灯工玻璃艺术教学与设计、加强校企合作和国际学术交流具有十分重要的意义，势必对未来的工作产生深远的影响。
清华大学美术学院工艺美术系副教授
Foreword
Lampwork craftsmanship has a long history in China, the glass drops of
dragonfly eye in the Warring States period are the embodiment of the ancient
exquisite skill. In modern times, an unique lamp glass production technology
has been developed in Zibo City, Shandong Province, mainly with subject matter
of melon, fruit, grass and insect, which are deeply loved by people. Hebei
Hejian City is gradually turning from the glass production of instrument to the
field of daily glass production. Carrying
out the teaching of craft glass art in art colleges and universities is
a matter of recent years.
Today, as daily glass production, Hejian people realize that design has been
the main bottleneck that restrict the development of enterprises. If the
enterprises want to realize the promotion of their brand, they must create
products designed with its own cultural characteristics and contemporary
practicability. Teaching of colleges and universities is the embodiment of the
needs in the times, because its talent training is expected to meet the urgent
needs of the society and to create more artistic lamp works, showing the
exquisite skills and various creative possibilities to the society. Lamp art
skill is easy to learn and master with lower requirements for tools, equipment
and operating space. Therefore, the lamp craft course is popular with students
in glass teaching in various colleges and universities in China at present.
Based on such a background of development, enterprises and colleges are bound
to hold hands. It is of practical significance to hold an exhibition of lamp
glass art to enhance the cooperation between schools and enterprises and
academic exchanges between schools. Therefore, in order to promote local
economic development, the Hejian City Government strongly supported such
academic activities and hopes to list this event as an internationally
influential exchange event regularly held in local, this idea led to the result
that the name of the exhibition was expanded to “International
Lamp Glass Art Festival”. It was difficult to hold such
a large-scale event for the first time. However, thanks to the active efforts
and works of all parties, the festival was successfully held. A total of 418
works were enlisted in the whole country. After two rounds of evaluation, 83
works were selected and 26 were awarded. In addition, there were 25 works from
the United States, Australia, Japan, Canada, as well as works of major domestic
artists invited to participate in the exhibition. During the activity, Chinese
and foreign artists and masters of arts and crafts also gave wonderful
craftwork presentation and academic speeches to the audience, which enabled
visitors to have a more comprehensive understanding of the current situation of
the development of lamp art in today’s world. The
two-night relaxing seminar also provided an opportunity for artists to make
in-depth exchange.
The successful holding of this International Lamp and Glass Art Festival is an
important beginning of special academic activity on the art of lamp glass in
China. It is great significance to promote the teaching and design of lamp
glass art, strengthen the cooperation between schools and enterprises, and to benefit international academic exchanges
at the same time, which is certain to have a profound impact on future work.
Associate Professor of Art and Crafts Department,
Academy of Art and Design, Tsinghua University
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