女性的胜利：劳伦斯《虹》中女性形象研究

　　《女性的胜利——劳伦斯〈虹〉中女性形象研究》主要通过文本分析的方法，研究了戴维·赫伯特·劳伦斯小说《虹》中女子在性爱、家庭权力、性格以及视野四个方面对她们男人的超越与胜利，认为这些都表明了作者对女性的赞赏，以及对父权社会、工业化的隐性批判。
　　此外，《女性的胜利——劳伦斯〈虹〉中女性形象研究》还研究了劳伦斯对小说中男性人物汤姆、威尔、安东和厄秀拉舅舅汤姆矛盾的态度。一方面，劳伦斯对这些男子的不足之处、弱点进行了批评；另一方面，他对他们寄予了同情。《女性的胜利——劳伦斯〈虹〉中女性形象研究》揭示了隐藏在小说中人物对新生活的追寻，在追寻、探索的过程中，他们不同程度地从各方面实现了梦想，获得了满足，这也显示了劳伦斯对父权社会及工业化隐性批评的复杂心理。

Introduction
Chapter 1Lawrences Perception of Women
　1.1Feminist Movements Impact
　1.2Love Experiences Impact
Chapter 2The Triumph over Men in Sexuality
　2.1Lydias Triumph over Tom
　2.2Annas Triumph over Will
　2.3Ursulas Triumph over Skrebensky
Chapter 3The Triumph of Women in Domestic Power
　3.1Unnamed Brangwen Womens Triumph over Men
　3.2Lydias Triumph over Tom
　3.3Annas Triumph over Will
Chapter 4Women as Victors in Character
　4.1Lydias Unconventional Character
　4.2Annas Powerful Character
　4.3Ursulas Unyielding Character
Chapter 5Womens Outlook Far beyond Men
　5.1Anonymous Brangwen Womens Aspiration
　5.2Lydias Wider Outlook
　5.3Annas Further Outlook
　5.4Ursulas Profound Outlook
Chapter 6Lawrences Ambivalent Attitude towards Men
　6.1Ambivalent Attitude towards Tom
　6.2Ambivalent Attitude towards Will
　6.3Ambivalent Attitude towards Skrebensky
　6.4Ambivalent Attitude towards Uncle Tom
Conclusion
Bibliography

The book mainly draws on textual analysis and examines Lawrence’s representation of women’s triumph over men in sexuality, domestic power and character and outlook in The Rainbow. It holds that Lawrence’s treatment of these topics indicates his eulogy of women and his implicit criticism of the patriarchal society and industrialization.
The book focuses on an interpretation of Anna’s childbirth and being a mother, arguing that her identity as a mother indicates her turning from explicit struggle to implicit struggle and her continuous battle against her man and the patriarchal society. When critics examine Anna, they play down her part in the fiction and use a few words with the same idea that she is indulged in sexual love and giving birth to several children, giving up the quest. On the contrary, I argue that Anna, in effect, does not give up the struggle. She quests for a new life, and childbirth and being a mother is a kind of creation, and she gains her fulfillment to some extent through the implicit struggle.
It discusses Ursula’s sexuality and outlook as well. In the sexual encounter, she is assertive, confident and initiative and has the corrosive power and destroys Anton Skrebensky both in body and soul. Outlook is investigated from her quest for love, knowledge and the unknown which shows that she is more profound, deeper and wider than the male in outlook.
Culturally, women’s sexuality, childbirth and motherhood were marginalized as well as their domestic power, character and outlook. Women were described as passive, inferior and dependent and being dominated image in the patriarchal society by Lawrence’s literary forefathers and his contemporaries. On the contrary, Lawrence’s views and their views are opposed on these issues. His treatment of these topics indicates his eulogistic perception of women. What’s more, it explores Lawrence’s ambivalent attitude towards men—Tom, Will and Anton and Ursula’s uncle. On the one hand, Lawrence criticizes the men for their inadequacy; on the other hand, he shows his sympathy for the men. The book reveals the characters’ quest for a new life which is implied in the fiction and their fulfilled achievement from various aspects at different extent and Lawrence’s complexity of implicit criticism of the patriarchal society.